Wednesday, November 13th, at 7:15pm

The story of media firebrand Molly Ivins, six feet of Texas trouble who took on the Good Old Boy corruption wherever she found it. Her razor sharp wit left both sides of the aisle laughing, and craving ink in her columns. She knew the Bill of Rights was in peril, and said “Polarizing people is a good way to win an election and a good way to wreck a country.” Molly’s words have proved prescient. Now it’s up to us to raise hell! (93 mins)

“With free speech under attack, and truth-telling seemingly in short supply, ‘Raise Hell’ offers an entertaining and bracing look at one of journalism’s least punch-pulling practitioners.” – Michael O’Sullivan, Washington Post

“Ivins was a one-of-a-kind commentator who was both smart and savagely funny, using a take-no-prisoners sense of humor to eviscerate those she felt abused the public trust.” – Kenneth Turan, Los angeles Times

Salvador Mallo (Antonio Banderas), a film director in his physical decline, experiences a series of reencounters. Some of them in the flesh, others remembered. His childhood in the 60s, when he emigrated with his parents to a village in Valencia in search of prosperity; the first desire; his first adult love in the Madrid of the 80s and the pain of the breakup while this love was still alive and intense; writing as the only therapy to forget the unforgettable; the early discovery of cinema; and the infinite void that creates the incapacity to keep on making films. In recovering his past, Salvador finds the urgent need to recount it and, in that need, he also finds his salvation. (R, 112 mins)

“Pedro Almodóvar’s sublime ‘Pain and Glory,’ a story of memory and creation, youth and its loss, circles around the idea of art as self-creation.” – Manohla Dargis, The New York Times

“The artful symmetry is an Almodovar hallmark, and his cinematic memento is filled with the intimate, indelible moments that made a life. You can feel his passion for cinema in every frame.” – Peter Travers, Rolling Stone

From Robert Eggers, the visionary filmmaker behind modern gothic masterpiece The Witch, comes this hypnotic and hallucinatory tale of two lighthouse keepers on a remote and mysterious New England island in the 1890s. Robert Pattinson and Willem Dafoe are transformative in their roles as tortured individuals who try to maintain their sanity while living in complete isolation and battling the harsh and extreme environment of the rugged Maine coastline. (R, 110 mins)

“By turns funny, sinister, haunting, historically fascinating and mythical, ‘The Lighthouse’ is one of the best films of the year.” – Sara Stewart, New York Post

“Very few films can make you scared and excited at the same time. Just like the lighthouse beam, this is dazzling and dangerous.” – Peter Bradshaw, The Guardian

“The movie, building on ‘The Witch,’ proves that Robert Eggers possesses something more than impeccable genre skill. He has the ability to lock you into the fever of what’s happening onscreen.” – Owen Gleiberman, Variety

“Eggers has created a film of disturbing horror, absurdist comedy and probing psychodrama which defies the generic boundaries as it breaks through them. ‘The Lighthouse’ is a saltwater gothic masterpiece.” – John Bleasdale, Cinevue

It’s 1929, and excitement is high at Downton Abbey when the Crawley family learns that King George V and Queen Mary are coming to visit. But trouble soon arises when Mrs. Patmore, Daisy and the rest of the servants learn that the king and queen travel with their own chefs and attendants — setting the stage for an impromptu scheme and other shenanigans. (PG, 123 mins)

“… for a few fleeting moments, they’ve returned us to a time of bygone glamor when class trumped crass and even treachery was sweetly done.” – Peter Travers, Rolling Stone

“Sumptuous and lovely, this film is a fitting capper to the hugely popular series; it will positively thrill longtime fans. All the flowers are in the bouquet.” – Joyce Slaton, Common Sense Media

Friday, November 15th, at 9:30pm

This special edition presents the horror classic restored from the original 16mm camera negatives with a reimagined score by original composer Joseph LoDuca and a thrilling new 5.1 surround mix. “The new music, new sound mix, and new 4K restoration have elevated The Evil Dead from the scary to the sublime.”

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Opens Friday, November 15th

Meet the Park Family: the picture of aspirational wealth. And the Kim Family, rich in street smarts but not much else. Be it chance or fate, these two houses are brought together and the Kims sense a golden opportunity. Masterminded by college-aged Ki-woo, the Kim children expediently install themselves as tutor and art therapist to the Parks. Soon, a symbiotic relationship forms between the two families. The Kims provide “indispensable” luxury services while the Parks give the Kims a way out of their shabby circumstances. But this new ecosystem is fragile, and soon enough greed and class prejudice threaten to upend the Kims’ newfound comfort. (R, 132 mins)

“What keeps you rapt in ‘Parasite’ is the visual wit — every shot distills the movie’s themes — and the richness of the characters and performances.” – David Edelstein, Vulture

“In his latest, Bong Joon-Ho blends a con man story with a tale of suspense, to uproarious and enlightening effect.” – Hau Chu, Washington Post