There are some interesting back stories behind the surprise smash Everything Everywhere All at Once. It seems that iconic martial arts start Jackie Chan was going to be in the lead role, but the feeling of the directors to pay homage to the strong women in their lives won out, and Michelle Yeoh was casted as the everywoman thrust into a dazzling multiverse of parallel lives.
The following is an open letter to movie-goers from filmmaker Ti West, the writer, director, editor and producer of X, currently playing at The Naro. In it he discusses his inspiration for and general thoughts about this unusual film. It is reprinted in its entirety from distributor A24’s website. For more about Ti West’s background, see his Wikipedia entry here.
The 50th anniversary of The Godfather recalls to us that the double-feature of Godfathers I and II were the very first films presented by the new Naro Expanded Cinema in 1977. (45 years ago.) Arguably one of cinema’s most iconic works, we’re pleased to participate in its re-release for a new generation to enjoy on the big screen with the latest in digital projection and sound. (We naturally expect many fellow old-timers to come out too!)
The late great film critic for The New Yorker Pauline Kael reviewed the film back in 1972 and her piece retains its brilliance for its superlative writing and in-depth analysis of various aspects of the film – music, cinematography, themes, and even some of the underlying sociological messages it contains – now more relevant than ever:
(reprinted from A24 Films – the following are the words of Valdimar Jóhannsson )
On my recent travels with my first feature film Lamb, I have been asked many questions that I had no answers to. It has made me very happy to hear the different and inspiring interpretations from both audiences and journalists.